Mark your calendar! “Hodie” by Ralph Vaughan Williams will be showcased at Choral Union’s 2013 concerts. Two performances are scheduled — 7:00 p.m. on Saturday, December 7, 2013 and 2:00 p.m. on Sunday, December 8, 2013 — at Cargill United Methodist Church, 2000 Wesley Avenue, Janesville.

We welcome interested singers to join Choral Union. No audition is necessary, merely a love of singing. Join us for registration and first rehearsal at 6:00 p.m. on Monday, September 9, 2013, at Cargill United Methodist Church, 2000 Wesley Avenue, Janesville. Registration fee, $20. Weekly rehearsals continue on Monday nights from 7:00 p.m. to 9:00 p.m. at Cargill United Methodist Church, 2000 Wesley Avenue, Janesville, through Monday, December 2, 2013. Technical rehearsal will take place on Saturday, December 7, 2013, with the specific time to be announced.


The Variations on a Theme by Joseph Haydn, (German: Variationen über ein Thema von Jos. Haydn), now also called the Saint Anthony Variations, is a work in the form of a theme and variations, composed by Johannes Brahms in the summer of 1873. It consists of a theme in B-flat major based on a “Chorale St Antoni”, eight variations and a finale. The work was published in two versions: for two pianos, written first but designated Op. 56b; and for orchestra, designated Op. 56a.

The orchestral version is better known and much more often heard than the two-piano version. It is often said to be the first independent set of variations for orchestra in the history of music[1], although there is at least one earlier piece in the same form, Antonio Salieri’s Twenty-six Variations on ‘La folia di Spagna’ written in 1815.

Brahms’s orchestral variations are scored for piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, contrabassoon, 4 horns (2 in E flat, 2 in B flat), 2 trumpets, timpani, triangle, and the normal string section of first and second violins, violas, cellos and double basses. The piece usually takes about 18 minutes to perform.

The first performance of the orchestral version was given on 2 November 1873 by the Vienna Philharmonic Orchestra under Brahms’s baton.

Reflections from Conductor Richard Severing on the 2014 “Elijah” concerts….

“I believe Mendelssohn would have been pleased with our performances.  I heard from many audience members that the performance moved them to tears numerous times.  On Sunday afternoon’s performance, I was able to relax enough that I too had moments of becoming emotional and needed to make sure I stayed focus on leading instead of letting the music overwhelm me.  What a tremendous experience!

 Stay tuned for details about the 2015 Choral Union chorus registration in September.  And stay tuned for our 2015 concert piece and dates.

Saying the words “Thank You” in no way expresses the magnitude of the gratitude all of us at Choral Union feel about all of you who came to witness the emotional story of “Elijah.” We will also not forget the generous spirit of countless area business and individuals who helped create the magic of Choral Union’s 2014 concert season.

By Hillary Gavan hgavan@beloitdailynews.com

Read this article on the Beloit Daily News at http://www.beloitdailynews.com/news/choral-union-welcomes-all-singers/article_5c6d320e-7bd0-11e4-9d04-f303778a243f.html


Those in Choral Union have a joyous experience every year they reunite for their holiday performance.

“The first time I sang with Choral Union it brought tears to my eyes,” said soprano Rochell Cheplak.

“The performance is exhilarating,” said soprano Ruth Clark.

Choral Union will celebrate its 133rd anniversary with two performances of “Elijah,” an oratorio by Felix Mendelssohn on Saturday and Sunday at Cargill United Methodist Church, 2000 Wesley Avenue, Janesville.

“The Choral Union’s youngest singer this year is 13 years old, and her grandmother is likewise a part of the chorus. Choral Union has become an intergenerational experience,” Cheplak said. “People who are very well trained in music stand next to people who love to sing without a substantial background in music.”

Eighty-five singers return to Choral Union each year. Choral Union has never had auditions, and anyone who loves music and loves to sing has always been welcome.

Tenor Linda Vannucci of Shopiere said she started with a choral group in Elkhorn when she became a single person, and eventually joined the Janesville group.

“I like the camaraderie. I like the conductor because he just is really good,” Vannucci said.

Vannucci who said she grew up on a farm said there never was time for singing or classical music, although she has come to enjoy it later in life.

Vannucci said she had always wanted to sing in a large group. With no tryouts, she figured she could just “go and sing.”

“It fit my situation perfectly,” she said.

Vannucci, who started as an alto said her voice deepened and she moved to the tenor section, noting three to four women tenors in the group. Although they mostly sang in Latin, she said a sweet alto woman coached her.

While it can be a challenge to make herself get out at night in the middle of winter, once she gets there she is glad she made the journey.

“Once you are out and there you are glad you did it,” Vannucci said.

Vannucci said it’s always great to reconnect with people when the group resumes rehearsals in the fall.

“It’s always fun to get back together and see how everybody’s doing,” Vannucci said.

Soprano Ruth Clark said her sister, Vannucci, got her into the group.

She, like her sister, likes being exposed to the classical music and making new friends.

“People are very friendly,” Clark said.

Clark said she had piano lessons and knew how to reach music, but is always interested in growing and improving.

“You sit next to somebody whose really good and you catch on and learn a lot. And our director is awesome,” Clark said.

Clark said she carpools with her sister and two others, which makes rehearsals her big outing of the week.

Conductor Richard Severing said people from 13-years-old up into their 90s sing together. Because there are no auditions anyone is welcome to participate. The Choral Union also gathers together an orchestra and professional soloists to accompany its performances.

“Everyone improves every year they are a part of this and 75 percent are returning members. Each year they experience new things and new pieces of music that are a challenge,” he said.

The group typically starts its rehearsals in September. Severing said August is a good time to contact the Choral Union about joining. They rehearse for 13 weeks, from the first part of September to early December when they have their annual holiday performance.

“It’s a wonderful group of people. The chorus is made up of amateurs, and they work very hard to where they can put on a very respectable performance,” Severing said.


Celebrating its 133rd anniversary, Choral Union brings together singers from all backgrounds each year to work as a team and create masterpiece concerts.

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BY: Anna Marie Lux
Janesville Gazette | November 24, 2014

JANESVILLE–Gabriela Anderson hesitated when her grandmother invited her to sing with Janesville’s Choral Union.

“I was a little skeptical at first,” 13-year-old Gabriela said.

When more than 80 singers began to practice, however, a wave of classical music swept over the teen, and she had a change of heart.

“I leaned over to Grandma and whispered, ‘I’m in,’” Gabriela said.

Now, the youngest Choral Union member adds her voice to weekly practices at Janesville’s Cargill United Methodist Church.

She can’t wait for her family and the public to attend the group’s two holiday concerts in December. Choral Union will perform “Elijah,” a grand oratorio by Felix Mendelssohn.

Gabriela symbolizes what is unique about the nonprofit Choral Union and its 133-year history in Rock County.

Singers perform some of the greatest choral music ever written, but they never audition for a place in the choir. Anyone who loves music is welcome.

Choral members who have years of training stand next to those who just love to sing. Some do not even read music.

Gabriela is the youngest member, and the oldest is 88.

Reminding them of proper intonation, volume and pronunciation is Richard Severing, who has conducted Choral Union for 21 years.

“We hold that everyone should have the opportunity to experience these wonderful pieces of music,” Severing said.

The retired vocal music teacher also believes everyone should have a chance to be part of a concert that can change lives for the better.

Severing and the union’s board of directors decided to present “Elijah” because it is the second most-performed and beloved of all large choral works.

“Messiah” by Handel is No. 1.

“’Elijah’ is a very dramatic story with recognizable melodies,” Severing said. “It is close to an opera in nature and character.”

Choral Union has performed most of the large choral works, including many masses by Haydn, Mozart and Beethoven.

The group has filled a need in Milton and Janesville for people “who love working together to bring quality music to southern Wisconsin,” Severing said.

The emotional high of singing together brings back members year after year.

“Being surrounded by others with beautiful voices is so exhilarating,” said Annette Reese, Gabriela’s 68-year-old grandmother. “I go home from practice uplifted from the evening.”

She calls it thrilling to be part of a large choir accompanied by a symphony orchestra.

A 45-member symphony orchestra, a 15-member off-stage youth chorus and four soloists perform with the on-stage chorus.

“The sound is so rich and full,” Reese said.

She first signed up about 40 years ago when Choral Union met at Milton College because music is an important part of her life.

Her German mother sang and played the violin. Her Welsh father sang in a quartet and played banjo. She and three siblings sang four-part harmony, and each played a different instrument.

“I joined the Choral Union because singing with a large choir for the benefit of other people is so enjoyable,” Reese said. “I will miss the practices when the concerts are over.”

– See story online at: http://www.gazettextra.com/20141124/janesvilles_choral_union_welcomes_everyone_who_loves_to_sing

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What: Choral Union performance of “Elijah,” an oratorio by Felix Mendelssohn.

When: 7 p.m. Saturday, Dec. 6, and 2 p.m. Sunday, Dec. 7.

Where: Cargill United Methodist Church, 2000 Wesley Ave., Janesville

Details: Advance $12 tickets can be ordered by calling 608-741-5074 or can be purchased from Choral Union members. Tickets are $15 at the door on both days. Credit cards are not accepted.

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Marie Severing – Soprano

Marie Severing, Soprano

Marie Severing is Director of Choral Music at Big Foot Union High School, Walworth, WI. Her musical educational experiences include study at L’Ecole Hindemith, Vevey, Switzerland and Northwestern University, Chicago. She has a Master’s degree from St. Mary’s University of Minnesota, with an emphasis in Vocal Care. She has studied with Helen Boatwright, Hugues Cuenod, Yolanda Marculescu, Elizabeth Fischer-Monestero and Susan Blumer.

For the 2000-2001 and 2001-2002 school years, Mrs. Severing was invited to be Soprano Section leader for the Wisconsin State Honors Mixed Chorus. During her tenure as Director of the Big Foot Union High School Vocal Music Department, her choirs have performed with Milwaukee Symphony Orchestra and in festivals in London (England), Los Angeles, New York City, Orlando and New Orleans. Her students have been privileged to work with such distinguished choral conductors as Weston Noble, Rick Bjella, Anton Armstrong, Michael Ross, Margaret Hawkins and Richard Severing.

As a soprano soloist, Mrs. Severing has performed locally with Choral Union (Janesville), The Southern Lakes Masterpiece Chorale (Walworth County), The Wisconsin Chamber Orchestra, The Beloit-Janesville Symphony Orchestra, The Northern Wisconsin Summer Music Festival, Oakway Symphony Orchestra (Detroit), and many others. For over 20 years she has had the honor of working with many talented students as a private voice teacher, and has been an enthusiastic promoter of singing as a lifetime sport.

 

Alex Gmeinder – Tenor

Alex Gmeinder

Tenor Alex Gmeinder has been praised by the Madison Isthmus for his “…powerful tenor voice…” in UW-Madison’s production of Don Giovanni.

Mr. Gmeinder earned a Masters degree in Opera Performance from the School of Music at the University of Wisconsin-Madison earlier in 2013. While at Madison he performed the roles of Don Ottavio in Mozart’s Don Giovanni, Giasone in Cherubini’s Medea, and the title role of Fritz Kobus in Mascagni’s L’amico Fritz.

This past summer Mr. Gmeinder spent five weeks in Novafeltria, Italy at La Musica Lirica where he studied with Rossini Festival coaches from Pesaro, Italy. While in Italy he performed the roles of Arturo in Donzetti’s Lucia di Lammermoor and Edoardo Milfort in Rossini’s La Cambiale di Matrimonio.

Other opera roles include King Ouf the 1st in Chabrier’s L’Etoile, the title role in Bernstein’s Candide, Eisenstein in Strauss’ Die Fledermaus, Vašek in Smetana’s The Bartered Bride, and Reverend Parris in Ward’s The Crucible.

Not a stranger to the concert stage Mr. Gmeinder has performed Bach’s Magnificat, Mendelssohn’s Magnificat, Schubert’s Mass in E flat Major, Mozart’s Requiem, and Mozart’s Regina Coeli with the Janesville Choral Union. With Southern Lakes Masterpiece Chorale he has performaned Handel’s Messiah, Haydn’s Mass in Time of War, and will soon be performing Puccini’s Messa di Gloria and Ralph Vaughan Williams Serenade to Music. Most recently Mr. Gmeinder was a soloist with the Wisconsin Chamber Choir where he sang Mozart’s Requiem.

Mr. Gmeinder studies with soprano Julia Faulkner who is on faculty at the Lyric Opera of Chicago.

Mr. Gmeinder has joined Sarasota opera for their 2014 fall and winter seasons as an apprentice artist.

 

Dan Richardson – Baritone

Dan

Bass-baritone Dan Richardson, known for his “clean, clear, declarative” tone and “lovely core sound and earnest musicianship” is excited to be performing with Choral Union in the title role  of Mendelssohn’s Elijah.

Recently, Mr. Richardson appeared as Figaro in Le nozze di Figaro with the Salt Creek Chamber Orchestra, as Papageno with Candid Concert Opera, and performed with the New Millennium Orchestra as Death in Viktor Ullmann’s the Emperor of Atlantis on the Pritzker Pavilion Stage at Millennium Park.

He has also performed with the Florentine Opera, Opera Omaha, Opera Louisiane, Des Moines Metro Opera, the Cedar Rapids Opera Theatre, Sarasota Opera, Chamber Opera Chicago, and the Lyric Opera of Chicago, where he performed the role of Don Bartolo for their “Opera in the Neighborhoods” production of Rossini’s The Barber of Seville.

As a concert soloist Mr. Richardson has performed with the Fox Valley Orchestra, Milwaukee Symphony Orchestra, The Virginia Consort, the Milwaukee Ballet, Music by the Lake, and the Grant Park Chorus.

Mr. Richardson is an alumnus of Simpson College, where he studied with Dr. Maria DiPalma and Dr. Robert Larsen.



 

Sarah Luewerke – Mezzo-Soprano

Sarah

Mezzo-soprano Sarah Leuwerke has been seen on the operatic stage, as concert soloist, recitalist, and as chamber musician throughout the United States. Highlights include appearances with the Billings Symphony, Greeley Philharmonic, Santa Fe Opera, Minnesota Opera, North Star Opera, Opera Theatre of the Rockies, Madison Opera, and the San Antonio Chamber Choir.  Ms. Leuwerke received her Bachelor of Arts degree (Music) from Gustavus Adolphus College and a Master of Music degree in Voice Performance from the University of Northern Colorado.  She then became an apprentice artist with the prestigious Santa Fe Opera Apprentice Artist Program. Praised on the stage as being “fresh-voiced and broadly comic…” (Colorado Springs Gazette), some of Ms. Leuwerke’s operatic roles include Dorabella (Cosi fan tutte), Hänsel (Hänsel und Gretel) Cherubino (Le nozze di Figaro), Siebel (Faust) and Second Lady (Die Zauberflöte) and Alisa (Lucia di Lammernmoor).  She has been heard as soloist in Verdi Requiem, Bach B minor Mass, Mozart Requiem, Durufle Requiem, Handel’s Messiah, Colomba Mea (Kenneth Leighton) and Stabat Mater (Szymanowski).  Ms. Leuwerke was selected as a finalist in the 2013 Bel Canto Chorus Regional Artists Competition.  Ms. Leuwerke is also an active ensemblist with the Madison Choral Project and the Madison Bach Musicians



21 altos, 21 bass, 29 sopranos, 12 tenors – and that’s just the on-stage chorus. Add 4 soloists, 45-member symphony orchestra, 15-member off-stage youth chorus, 1 off-stage youth soloist/trio member, conductor – and this year’s Choral Union comes into focus.

Choral Union celebrates its 133rd anniversary with two performances of “Elijah,” an oratorio by Felix Mendelssohn. Concerts take place at 7:00 p.m. on Saturday, December 6, 2014, and again at 2:00 p.m. on Sunday, December 7, 2014, at Cargill United Methodist Church, 2000 Wesley Avenue, Janesville.

“To the masses of music-loving people, Mendelssohn requires no introduction – especially when “Elijah” is mentioned,” notes Conductor Richard Severing.

“The masterpiece has taken its place on a level with “The Messiah” by Handel,” and Severing goes on to say that “Elijah” is “as full of drama as an opera.” The conductor comments that the work has such “warmth of harmony and melody that it is loved by everyone who has ever heard it or sung it.” The selection is described as “very large in scope and yet very intimate and personal for the listener and for the performer as well. The subject of this oratorio is the compelling story of Elijah and the people of Israel as they struggle with belief and trust in God.”

Soloists include Marie Severing (soprano), Sarah Leuwerke (mezzo-soprano), Alex Gmeinder (tenor), and Dan Richardson (baritone).

It was twelve years ago that Choral Union last performed this work, and we think you will agree that an encore performance has been long overdue!

Advance tickets of $12.00 may be ordered by calling (608) 741-5074 or may be purchased from Choral Union members. Tickets are $15.00 at the door on both performance days.

Rochell Cheplak, (608) 756-0041

A little taste of what you will hear at this year’s Choral Union concert on December 6/7 at Cargill Methodist Church in Janesville. Please share this post with your friends:

The People: Help, Lord! Help, Lord! Wilt Thou quite destroy us!

The harvest now is over, the summer days are gone, and yet no power cometh to help us! Will then the Lord be no more God in Zion?

The deeps afford no water! And the rivers are exhausted! The suckling’s tongue now cleaveth for thirst to his mouth! The infant children ask for bread! And there is no one breaketh it to feed them

 

2014 Concert - “Elijah” by Felix Mendelssohn

 

Elijah-Felix-Mendelssohn

21 Altos, 21 Bass, 29 Sopranos, and 12 Tenors – and that’s just the on-stage chorus. Add 4 soloists, a 45-member symphony orchestra, off-stage chorus of 15 youth, 1 off-stage youth soloist/trio member, and conductor, and this year’s Choral Union comes into focus.

2014 Concert - “Elijah” by Felix Mendelssohn

Choral Union celebrates its 133rd anniversary with two performances of “Elijah,” an oratorio by Felix Mendelssohn.  Concerts take place at 7:00 p.m. on Saturday, December 6, 2014, and again at 2:00 p.m. on Sunday, December 7, 2014, at Cargill United Methodist Church, 2000 Wesley Avenue, Janesville.

“To the masses of music-loving people, Mendelssohn requires no introduction – especially when “Elijah” is mentioned,” notes Conductor Richard Severing.  

“The oratorio has taken its place on a level with “The Messiah” by Handel,” and Severing goes on to say that “Elijah” is “as full of drama as an opera.”  Severing comments that the work has “such a warmth of harmony and melody that it is loved by everyone who has ever heard it or sung it.”  The work is described as “very large in scope and yet very intimate and personal for the listener and for the performers as well.  The subject of this oratorio is the compelling story of Elijah and the people of Israel as they struggle with belief and trust in God.”  

Advance tickets of $12.00 may be ordered by calling (608) 741-5074 or may be purchased from Choral Union members. Tickets are $15.00 at the door on both performance days.  Credit cards are not accepted.  Like us on facebook: www.facebook.com/JanesvilleChoralUnion.

About Choral Union:

Choral Union has never had auditions, and anyone who loves music and loves to sing has always been welcome.  Singers who have years of training stand next to those who just love to sing, some who cannot even read music.

In 1881, Milton Choral Union gave its first performance, singing a variety of selections under the direction of Professor N. W. Williams of the MiltonCollege of Music.  The concert was a great success, and a tradition was born. Over the next 30 years, Choral Union continued to give concerts, although not always annually.  One of the last performances during these early years was Haydn’s Creation conducted by Dr. J. M. Stillman of the School of Music in 1903.

The singing society was revived in 1911 by Professor A. E. Whitford who gathered a group of college students and community members for a public performance that December.  The performance was heralded as “the most striking musical production ever given here by local talent.”

Whitford went on to become President of Milton College, giving up the choir to Professor L. H. Stringer in 1917. The Choral Union’s purpose under Stringer’s direction was to present the great oratorios to the MusicSchool students so that in four year’s time a student would sing “Messiah“, “Elijah“, Mendelssohn’s “Hymn of Praise“, and one other great work. Over the next thirty years ProfessorStringer directed a Choral Union that grew in size, confidence, musical ability, and reputation.

Bernie Westlund, a young student from Wittenberg, Wisconsin, appeared on the scene in 1936 and began playing in the orchestra that year.  Westlund was the orchestra leader the next year, and in 1946, became the new director of the Choral Union. Under his leadership, the group continued to grow in stature and ability until it became recognized as one of the finest oratorio societies in the Midwest, if not the nation.

Choral Union has made history by performing a number of “firsts” including the Midwest premiere of Bach’s St. Matthew Passion (1953), Boatright’s Canticle of the Sun, Vaughan-Williams’ Hodie, and Finzi’s Intimations of Immorality as well as several state premieres.

In 1976, Bernie Westlund gave his farewell performance after 30 years as Choral Union director. At that time Westlund commented, “For the singers, the enjoyment is in rehearsing and learning the meaning of the music beyond the notes on the page. The performance is their joyful gift to the audience.”

Professor Thomas Sanborn became the new director in 1977, having been with the Choral Union as accompanist for 20 years. In 1993, Richard Severing took over the reins as director after Sanborn’s untimely death before the season started.

It has been said that the greatness of Choral Union comes from the tremendous bond and fellowship between the singers themselves, and with the director, as they work to perform some of the greatest choral music ever written.  The emotional highs of singing together are what bring members back year after year.  When singing together, we become more than who we are alone.  Great music is created, and we are not the same people as we were when we started to rehearse.

“Choral Union took hold of me emotionally from the very first time I participated,” states Director Richard Severing.  Severing goes on to say, “We perform high quality music at a high level of expertise.  We continue to expand and discover music that is new to us.  We gather together as a community and share both music and ourselves.  Each day I grow in sensitivity as a human being because of working with Choral Union.”

Severing believes strongly in the chorus and its role in the community. “I believe in music as a force that brings people together,” Severing commented in a Janesville Gazette feature story in December, 2011.  He continued, “I also think it’s important that communities are brought together. I guess both things happen to be the same goal.”

Janesville Gazette Reporter Ann Fiore summed up the “magic” of Choral Union in December, 2011, as follows:  Each year, the challenge is the same — Take a mix of 100+ experienced and novice singers, give them demanding pieces of choral music, and teach them how to sing. And each year, the group produces a work of art, something greater than the sum of its parts.